Saturday, 18 August 2018

The Hide

A short film shown in the solo exhibition, "below, the rocks fell into darkness" at the Studio Pavilion, Glasgow, May - July 2018. The film is displayed here at a much lower definition than that exhibited, and was shot on super 16mm digital format. The film explores the environment around, and the panoramic view from (and of) a loch-side wildlife hide in the W Highlands of Scotland, shot at the height of summer. Dur. 9'17",

Wednesday, 30 August 2017

Tuesday, 15 August 2017

last light first light IV

Last light, Dec 31st 2017, wildlife hide, Ardtornish Estate
First light, Jan 1st 2017, wildlife hide, Ardtornish Estate

Friday, 4 November 2016

Friday, 26 August 2016

the magic flute

The arrival of the Queen of the Night. Stage set by Karl Friedrich Schinkel for an 1815 production

Sunday, 5 June 2016

an evening walk

the beginning of a walk up Dumgoyne, 4th June 2016

the end of a walk up Dumgoyne, 4th June 2016

Friday, 27 May 2016

coloured hills

Lesley Punton - Big dark rock peak - oil on board - 2016

Lesley Punton - Lucky hill - oil and silverpoint on board - 2016

Lesley Punton - Misty mount - oil on board - 2016

Lesley Punton - Hill of Brightness - silverpoint on gesso on board - 2016
Some new paintings in a larger series of works exploring the naming of the gaelic mountain landscape through colour. 

Much of the way landscape is named in Gaelic is highly descriptive, and colour crops up again and again. Hills such as Beinn Dearg Mor are conventionally translated as 'big red hill' - these rather lumpen translations don't do justice to the multiple and often contested possible translations of the Gaelic to English, and to the shifting sense of colour when in the hills. In attempting to translate these hills into a field of colour (or light), my title translations have partly been arrived at through conversation with Alec Finlay, so my gratitude and thanks are sent to him here.