little snow

some amazing images of snow seen under a microscope...

falls

Whilst away for New Year, and unable to climb the mountains this year, we finally had a walk in the Hermitage, an NTS property I've driven past countless times on my way further north. This short clip is of the deeply frozen Falls of Braan on the River Braan seen from the viewing balcony at the end of Ossian's Hall, an 18th century folly created by the Duke of Atholl.


Falls of Braan from Lesley Punton on Vimeo.

Sgurr an Tuill Bhàin, Rock of the White Flood.

Walking on the summit ridge, descending Slioch, looking towards Sgurr an Tuill Bhan, Dec 2008

armchair mountaineering

L Punton, December 2010

gemenids 2010

Tonight is the annual peak of the Gemenid meteor shower, a real rival to August's Perseid shower and predicted to be the best display of "shooting stars" this year. A crescent moon will dull the intensity only until it sets after midnight, so it's best to view them after then. Look towards the constellation Gemini (hence the name Gemenids) to see these relatively slowly moving meteors. The radiant - the point from which the meteors appear to originate, is close to the bright star Castor in Gemini. Here in Scotland, the sky's currently clear so it could be an amazing night to view them.

This time last year, I posted from a freezing (-7 degree) wild camping trip, having climbed Gulvain, and remember watching this great shower in a remote spot in the Highlands away from the light pollution of the city.

cold camping last year...

There's also a lunar eclipse due just before dawn on the 21st December, though the conditions in the UK aren't optimal for viewing it as, at mid-eclipse at 8.16am, the moon will have virtually set and the sky brightening as the sun rises. The moon begins to enter the shadow of the earth at 5.29am when the moon is just under 30 degrees above the horizon. Slowly, the left hand side of the moon will darken until at 7.41am it will be within the umbral shadow.

mer de glace

L Punton, approaching storm, Mer de Glace, July 2007

..without knowing where to spot them, one perhaps would not realise that there is actually a group of people out on the ice in the middle of the picture who are on an alpine skills course to learn how to traverse glaciers and to get out of crevasses. The sense of scale is entirely deceptive.

detail of above showing location of walkers.

A few minutes later, the entire valley would be filled with cloud hugging the glacier, heavy rain and powerful winds.

See also my previous post on Ruskin's photographs of the mer de glace to see how much the great sea of ice has shrunk.

waxwing winter

Seen from my kitchen window, the same tree as in the last post, a few days later, and now host to a flock of waxwings. These unusual birds have been sighted often this winter with the berry crop in Scandinavia failing, forcing them to travel further afield.

postscript: thanks to Celine for pointing me towards this great piece of HD video footage.

angus' first winter

pemmican

servings: 6
2 cups beef jerky, shredded
1 cup dried berries
6 tbsp tallow (beef fat), melted
combine all ingredients and form into 6 patties.

born mountaineers

Research by Geoffrey King and Geoff Bailey in the new scientist suggests that humans are ideally suited to mountainous terrain. As a species we're unable to run fast, so wide open plains are not conducive to the survival of humans. But by inhabiting irregular terrain such as mountains and valleys with our ability to scramble and clamber, human beings holds a definite advantage. "Humans are adapted for complex topography" says King. Research also holds that we have tended to cluster around rougher tectonically active landscapes. When Bailey and King superimposed the locations of human fossil sites throughout Africa with satellite images that show the roughness of the land, they found that they lined up neatly.

aerial

An amazing satellite image of the UK just now, with snow covering the country.

snowing in glasgow part 2

27th November 2010, 9.50am

and eleven months ago...

sweetwater

Ed Ruscha says of one of his earliest artworks...

"I hitchhiked throughout the South in the early 1950's. Coming across a town in Tennessee called Sweetwater, I remember swimming in an unattended pool by the side of the road. Later, I went to art school in Los Angeles and studied Abstract Expresionism and painted pictures of towns I had hitchhiked through, like Dublin, Georgia; Vicksburg, Mississippi; and most memorable of all, Sweetwater, Tennessee."

Ed Ruscha, Sweetwater, 1959, ink & oil on canvas, 60x48", inadvertently destroyed.

fond remembrance of places

Thinking of Ravilious, I'm reminded of a trip I made to Barra to visit a close friend who was staying in the croft house that was owned by Ravilious' old friend, the designer and artist Peggy Angus. Ravilious didn't visit Barra as far as I'm aware, but made much work at Peggy's other house "Furlongs" on the South Downs.

Eric Ravilious - Furlongs

exterior of Furlongs

I think familiar, well loved places are of great importance to a great many artists, particularly those concerned with landscape, and it seems that Furlongs was one such place for Ravilious.

I'd never been to Barra before. We arrived at Peggy's house at twilight off the surprisingly long ferry journey from Oban, cycling along the single track road just being able to make out the house in the fading light, to find my friend in a magically evocative place lit by candles and the light from a log fire, cooking on a portable gas stove, and surrounded by years of accumulated objects of interest gathered by Peggy. It's a primitive space (Jim and I slept on an extremely smoky platform above the "kitchen" area), and not one for those looking for luxury (indeed, it's not much more luxurious than many a bothy) but it's spartan qualities are made up for with an abundance of character. The house is just as she left it before she died, and is still used by the family for holidays (my friend is close to the family). Unfortunately I didn't take any decent pictures of the house, but I do understand how places become closely linked with the creation of artworks, and have had similar experiences with places I've become intimately acquainted with over the years in Scotland.

There's a house in the West coast that, due to the generosity of an aunt and uncle, I was able to regularly visit throughout the 1990's and early 2000's, and where I made much of my first photographic work. In part, it's joys stemmed from a simple escape from the city. The place itself, with no road access - the easiest way to reach it was by rowing across the loch - a place where time and the pace of life seemed to slow down, where there was no TV, telephone, (and latterly, mobile reception) encouraged a reflectiveness that nourished my creativity. I visited usually around three times per year, most often bringing friends, but also sometimes visited alone. This was probably the only place  where I've gone a whole week without uttering a word to another human and experienced real solitude, bar hearing a voice on the radio.

L Punton, where deer sleep, silver gelatin print, 1996

Back in Barra, we climbed the island's highest hill, the relatively small Heaval, enjoying the view around the island down to Castlebay, a view presumably familiar to Peggy Angus and to those that would have
regularly come to visit.

view from the summit of Heaval, Barra

Samuel Palmer

Samuel Palmer - Shepherds under a full moon

An odd piece here, by an artist who clearly influenced the likes of Piper and Nash. Samuel Palmer (1805-1881) is someone whom, again, I have probably overlooked over the years. This work, like the piece in the previous post on Nash, is a rather bizarre, and to me, work that quite ahead of it's time.